2026 Vermont Instructors

Julie Belin
Teaching: Legit Kits: Mini Birds, Quiltworx: Chromatic Charms, Legit Kits: Sail Away, Poinsettia Tabletopper, Quiltworx: Haystack Cookies
Julie Belin’s quilting career began more than 30 years ago after receiving a quilt as a
wedding gift. When her husband challenged “you could make that” the journey began.
Although originally a self-taught quilter, her careers of engineer and high school math
teacher fueled her passion for precision piecing. She’s always on the lookout for
efficient methods and tools to do just that.
Wanting to share quilting tips and techniques with others, she became a certified quilt
instructor for Studio 180 Design and Sew Kind of Wonderful and is pursuing the same
for Quiltworx. These certifications have opened the door for her to share her
enthusiasm for quilting tools and techniques across the country with workshops and
lectures at guilds, retreats and quilt shows. She loves seeing the excitement of her
students as they master the tools.
When Julie isn’t teaching or lecturing, you can find her busy with her many guilds
planning events, quilting for charity, long-arming for her business or maybe even
playing in her garden.

Tina Craig
Teaching: Lecture: Versatility of EPP, Tiny Quilt Lapel Pins, EPP Design Party, Little Lucy EPP
Tina Craig started quilting in 1990 as an unemployed newlywed looking for something to do.
After moving to a seaside town in southern Rhode Island in 1997, Seaside Stitches was born. Back then, Tina was making and selling hundreds of paper-pieced quilt block lapel pins. Now, she prefers to teach you how to make your own!
Tina specializes in precision piecing (foundation paper piecing and English paper piecing) and domestic machine quilting. She enjoys learning new techniques and stepping out of her comfort zone to try art quilting.
Tina is a member of Ninigret Quilters, Narragansett Bay Quilters Association, and The Modern Quilt Guild, and has been honored to have won awards in local and regional shows including Best of Show at Ninigret Quilters 2013, 2017, 2023 and Narragansett Bay Quilters Assoc 2016. Her work has also been exhibited at Mid-Atlantic Quilt Festival, World Quilt New England, and QuiltCon Together 2021. Celtic Valentine was awarded a handwork ribbon at Mid-Atlantic Quilt Festival in 2024. Poppies, Poppies is a finalist in the 2024 Cherrywood Challenge and is traveling with the Seed Collection.
I have a very supportive and talented husband, two awesome adult kids with lovely spouses, and two beautiful grandsons. We enjoy hiking, beach combing and bird watching in our free time.

Jack Edson
Teaching: Introduction to Portrait Quilts, Intermediate Portrait Quilts
Jack Edson, a quilter from Hamburg, NY, earned his BA from Canisius College and his Master of Library Science from the University of Rhode Island. Inspired at a 1976 Bicentennial exhibit in Elmira, Edson started quilting and has been honing his skills for the past four decades.
Edson’s work has featured some of his favorite images from art history. From these images, Edson creates a working quilt pattern that evolves as he creates the piece. He describes his process as “more like being a juggler, with twenty balls in the air...I am constantly adding more balls to the juggling act.” He combines many of these historical elements to create portraits of the artists he finds most influential. He describes these portraits as a way to pay homage “in thousands of pieces of fabric to the artists whose work inspires me and whose lives touch my heart.”
In 2017 Edson retired from his role as director of the Hamburg Public Library, a position he held since 2005, after a 46-year career as a librarian. Over the course of his career he developed a love for collecting art and other assorted objects. Surrounding himself with the work of other artists has influenced his own work, inspiring him to take chances, like experimenting with colors and patterns.
Edson’s quilts have been featured in the Art in Craft Media exhibition at the Burchfield Penney Art Center in 2015 and 2017. His self-portrait quilt in the 2017 show earned him the Margaret E. Mead Memorial award.
Edson has also exhibited his quilts nationally; most recently he has been featured in exhibitions at the Pacific Northwest Quilt and Fiber Arts Museum in Washington (2018), the Rocky Mountain Quilt Museum in Colorado (2018, 2016) and the CASS Project in Buffalo (2018).

Lynn Gerard
Teaching: Making a Cork Wallet: Kendra Wallet
Lynn Gerard is the owner of The Cork Emporium. This unique store is for eco-conscious fashion enthusiasts and creative artisans alike. The Cork Emporium specializes in offering a diverse range of thread, cloth and ornate accessories crafted from an environmentally friendly and versatile material: cork fabric.
Derived primarily from the bark of the cork oak tree, this high-quality fabric is sourced from Spain, Portugal and France, regions known for their abundant cork oak forests. One notable aspect of cork fabric is its sustainability

Jaymi Horne
Teaching: Lecture: Wearable Quilts, Beautiful Binding, Sunset Glow, EQ-8 Designer, Ultimate Stash Buster
Jaymi Horne is a seasoned production seamstress with over two decades of experience under her belt. Beyond her impressive sewing career, she's a nationwide quilt instructor on a mission to share her passion for quilting, especially her love for Foundation Paper Piecing (FPP). With a knack for simplifying this technique, Jaymi has designed over 50 captivating quilt patterns, earning her the title of "FPP Queen" among her Instagram followers. Her dedication to spreading the FPP joy goes beyond social media; Jaymi hosts engaging sewing tips and tricks videos on YouTube, aiming to show everyone just how effortless and enjoyable this technique can truly be. You can explore her vibrant world of quilts and patterns on crankykangaroo.com, where creativity and color collide.

Tara Miller
Teaching: Mixing Prints Masterclass, Legacy Wheel, Lecture: The Magic of Mixing Prints, Lecture: 200+ Years of Quilt Blocks & Motifs
Tara Miller is a quilt historian, pattern designer, teacher, and speaker. She helps quilters find their voice through fearless fabric play, masterful print mixing, and meaningful connections to the makers who came before us. Her work bridges tradition and innovation—modern quilts grounded in history and purpose.
Tara brings a historian’s curiosity, a teacher’s heart, and a designer’s eye for bold, unexpected combinations. Whether giving a lecture, leading a workshop, or hosting a retreat, she aims to spark creativity, build confidence, and foster connection—between quilters and across generations. She has taught across the U.S., as well as in England and France.
Tara's work has been featured in Quiltmania, Quiltfolk (Issue 30 – Georgia), Simply Moderne, and Simply Vintage. Her patterns and articles explore the powerful intersections of history and design.
A former board member of the American Quilt Study Group (AQSG), where she worked to make quilt scholarship more accessible and engaging. During her tenure, she co-hosted Quiltside Chats, a monthly livestream produced with AQSG and the International Quilt Museum—now archived on YouTube.
Wherever quilting takes me, it always comes back to creativity, community, and connection.

Susan Sato
Teaching: Sashiko Basics, Visible Mending, Sashiko Sneakers
Second-generation Japanese American, Susan has been sewing since age 14. While going through an old trunk at her mother's home about thirteen years ago, Susan found her grandfather's kimono and obi with his kamon, the family crest, on it. She knew then that sewing in the traditional Japanese style was the path she wanted to follow for her quilting inspiration. Susan started quilting with Japanese fabrics, incorporating the sashiko form of hand sewing. When her own work inspired her to teach, she began with basic quilting classes in sashiko, shibori dyeing, and then branched out to Japanese free-form design classes.
In celebration of its newly refurbished entrance, the Brooklyn Museum of Art commissioned Susan to create photo pillows for their gift shop. Her personally designed and sewn line of Japanese handbags and pillows have been sold in Brooklyn shops.
Susan's quilts have appeared in QUILTS AROUND THE WORLD by Spike Gillespie and PIECED SYMBOLS, Quilt Blocks from the Global Village by Myrah Brown Green. Sato was choosen as a Featured Teacher on The City Quilter's website in New York City and Quilter of the Month in the Quilters' Guild of Brooklyn's Newsletter.
A member of the Empire Quilters and past co-president of The Quilters' Guild of Brooklyn, her work has been featured in exhibits throughout the Northeast. She teaches quilting at shops in New York City, Connecticut, New Jersey, and at quilting guilds around the area.

David Sirota
Teaching: Lecture: What Makes a Quilter Tick?, Lecture: Quilt While You're Ahead, Collide-o-scope
It all started because I needed kitchen curtains and decided to make them myself. But that’s a whole other story.
I have been quilting since the late 90’s (that’s1990’s) after my friend Amy Fitzpatrick taught me the basics of quilting. And I thank “Simply Quilts” for all of the information and instruction that Alex Anderson and her guests provided. It felt like I was going to quilting school, and I tried not to miss a class.
There was one technique that I was immediately drawn to, and that was paper piecing. I thought it was so cool because of the intricate and accurate results you get. The only drawback was that it was really difficult to wrap my brain around, kinda like upside down and backwards. If you’ve ever tried it, you know what I mean. But once I got it, the results were quite exciting. Except, there were a couple of huge drawbacks…how to orient the next piece of fabric, and removing the paper. Regardless of the kind of paper I used, it still had to be removed at the end, which took as long or longer than the construction of the quilt!
So, I started thinking about how to make paper piecing simpler and faster. And I’m proud to say that in 2004, I figured it out. My "Sirota No More Tears Paper Piecing”© method is easier to understand and takes at least half the time than the way paper piecing has been done traditionally.
My goal was to take the anxiety out of paper piecing and replace it with the joy of the process. Paper piecing is now fun, easy and quick.
